Chaerin Im

Matteo Mazzù

Siebren Smink

Ludvig Søndergaard

Indie pop meets improv by Korean jazz talent.

Chaerin Im is making a name for herself at lightning speed. Since moving to Amsterdam in 2017 to study jazz piano, the South Korean musician has developed into a versatile artist who refuses to be boxed in. Jazz, indie pop, expansive electronic soundscapes, it all comes together in her music. No wonder NRC named her one of the young artists to watch this season.

Now, for the first time, she leads her own group, featuring Siebren Smink on guitar, Matteo Mazzù on electric bass, and Ludvig Søndergaard on drums. Together, they recorded her debut album: Midnight resets. The record blends grooves, electronics, adventurous improvisation and light-footed melodies. The title track even features a kind of metal riff; anything goes in Chaerin Im’s world.

Outdoor concert
This terrace concert, in collaboration with the Muziekgebouw, takes place outdoors. Right by the water, sun and wind can be quite present, so come prepared. In case of bad weather (rain and/or strong winds), the performance will move indoors to the Entreehal, overlooking the IJ.

Chaerin Im piano, Siebren Smink guitar, Matteo Mazzù electric bass, Ludvig Søndergaard drums

Shane Koppers

Bimhuis

Chaerin Im Quartet

Polygonia

Five influential acts in various genres, as part of the festival for electronic music and DJ culture.

Herbert & Momoko
For Matthew Herbert, the world is an instrument. The legendary electronic producer returns to his house alias with a jazz-infused show featuring percussion and vocals from improviser Momoko Gill. Departing from fresh dancefloor tracks alongside classics they explore uncharted territories.

James Holden & Wacław Zimpel
British DJ/producer James Holden and Polish multi-instrumentalist Wacław Zimpel explore the improvisational intersection between electronic and acoustic music. Handmade modular synths meet expressive alto clarinet and various other instruments, often with hypnotic and trance-inducing effects.

Polygonia presents Dream Horizons (Live)
The alter ego of Munich-based multidisciplinary artist Lindsey Wang, Polygonia seamlessly blends elements of techno, downtempo and ambient. Rooted in the natural world and a deep understanding of music theory and instrumentation, her soundworks have an organic and mystical feel.

Young Marco & John Moods present Dead Sound
Dead Sound is a collaboration between DJ/producer Marco Sterk AKA Young Marco and pop auteur John Moods. Through dream-like, emotionally charged music they explore themes such as vulnerability, healing, and transformation, not unlike a psychedelic experience embracing light and darkness in equal measure.

Herbert & Momoko Gill | James Holden & Wacław Zimpel | Polygonia: Dream Horizons live | Young Marco & John Moods: Dead Sound live

In collaboration with: Beacon Muziekgebouw

BEATRIZ

Wajdi Riahi

Shoko Igarashi

Sylvain Debaisieux

Pierre-Antoine Savoyat

Louise van den Heuvel

Stéphane Galland

It’s all in the name: The Rhythm Hunters, the new band of Belgian drummer and composer Stéphane Galland, is on a quest for extraordinary rhythms. The aim? To naturally and fluidly integrate rhythmic approaches that may initially seem unusual or complex into a coherent musical narrative. Through his teaching at the Royal Conservatory of Brussels, Galland – known for his work with Ibrahim Maalouf and Aka Moon – assembled a group of exceptionally talented young musicians, continuing the path of his acclaimed project The mystery of Kem.

Thus, The Rhythm Hunters was born, featuring Japanese tenor saxophonist Shoko Igarashi, alto saxophonist Sylvain Debaisieux (also part of ‘The mystery of Kem’), French trumpeter Pierre-Antoine Savoyat, Tunisian pianist Wajdi Riahi, and Dutch bassist Louise van den Heuvel. Their self-titled debut album was released last year on the Dutch label Challenge Records.

Shoko Igarashi tenor saxophone, Sylvain Debaisieux alto saxophone, Pierre-Antoine Savoyat trumpet, Wajdi Riahi piano, Louise van den Heuvel electric bass, Stéphane Galland drums

Stéphane Galland & The Rhythm Hunters

Ramón Valle

Maite Hontelé

Eddy Veldman

4 The Culture

South East Jazz is a free two-day music festival that celebrates the unique energy of Amsterdam-Southeast with jazz in the broadest sense of the word. From soulful classics to electronic improvisation, from local talent to international names – spread across multiple stages, jazz forms the bridge between cultures, generations and worlds. With food, art, dance and a strong community, Southeast will be the place where music connects people on Saturday 30 and Sunday 31 August.

Jazz Focus Big Band
The Jazz Focus Big Band is bursting with young talent and has been led by conductor Lorenzo Mignacca since 2019. Mignacca continues the legacy of the late Peter Guidi. This 18-piece ensemble breathes new life into the big band repertoire with music by Thad Jones, Cole Porter, Buddy Rich, and Gordon Goodwin. They’ve performed at major venues including the North Sea Jazz Festival, the Concertgebouw, and the Uitmarkt, and have won first prize multiple times at the Prinses Christina Concours.

Alice Leggett Quintet
British saxophonist and composer Alice Leggett is a rising voice in European jazz. She made her mark as a member of Teis Semey’s Super Deluxe Orchestra, won the 2024 Keep an Eye International Jazz Award, and has been an active part of the Dutch jazz scene since graduating from the Conservatory of Amsterdam. In May 2025, her critically acclaimed debut album Birdsong was released on Zennez Records, followed by a successful UK tour. She was also named “One to Watch” by Jazzwise magazine.

Ramón Valle & Maite Hontelé
What began as a one-off duo performance blossomed into a deep musical partnership. Pianist Ramón Valle and trumpeter Maite Hontelé found common ground in their love for melody, freedom, and the Cuban idiom. They’ve performed across Europe and even recorded an album in Havana. Valle is praised for his expressive playing, full of Cuban flair and classical depth; Hontelé for her international career in salsa and her warm, lyrical tone. Together, they create music that speaks straight to the heart.

Eddy Veldman
Opo Yeye (“elevate your soul”) is the vibrant ensemble led by drum veteran Eddy Veldman, one of the pioneers of the Paramaribop sound. With a line-up featuring members of Fra Fra Sound and violinist Yannick Hiwat, the band brings a powerful blend of jazz, funk, hip-hop, and Surinamese rhythms like Kaseko and Kawina. Since 1998, Veldman has led this boundary-pushing group, where groove, improvisation, and cultural richness converge in a high-energy live show.

4 The Culture
According to founders Sarah-Jane Wijdenbosch and MrJetFly, Kawina music rarely gets the platform it deserves. That’s why their initiative 4 The Culture proudly brings this energetic, deeply rooted Surinamese style into the spotlight. What started with a livestream concert in Paradiso has grown into sold-out shows, and even two concerts in Carré. Together with the 16-piece Black Excellence Kawina Orchestra, they offer an uplifting and unifying tribute to Kawina and Suriname.

BIMHUIS Stage: Jazz Focus Big Band, Alice Leggett Quintet, Ramón Valle & Maite Hontelé, Eddy Veldman’s Opo Yeye and 4 The Culture

Michael Moore

Han Bennink

Eric Boeren

Wilbert de Joode

The Eric Boeren 4Tet weaves together music from the ‘classic’ Ornette Coleman quartet with original compositions by trumpeter Eric Boeren. Saxophonist and composer Ornette Coleman shook up the jazz world in the late 1950s. He found improvising over chord changes ‘compulsive’, a rigid approach that, in his view, placed too many restrictions on musicians. His groundbreaking approach wasn’t well received: he was banned from stages, and his saxophone was even destroyed. Still, Coleman held fast to his vision, replacing traditional structures with freer forms of improvisation.

That freedom comes with great responsibility, according to Eric Boeren. “To be free in music requires great discipline. It’s not that anything goes, that would be arbitrariness. No. Musical freedom is like having a meaningful conversation, and the compositions are the topics.” He engages in this musical conversation with improv veterans Michael Moore on alto saxophone, Wilbert de Joode on double bass, and Han Bennink on drums.

Michael Moore alto sax, Eric Boeren cornet, Wilbert de Joode bass, Han Bennink drums

Eric Boeren 4Tet

Yoràn Vroom

Bnnyhunna

South East Jazz is a free two-day music festival that celebrates the unique energy of Amsterdam-Southeast with jazz in the broadest sense of the word. From soulful classics to electronic improvisation, from local talent to international names – spread across multiple stages, jazz forms the bridge between cultures, generations and worlds. With food, art, dance and a strong community, Southeast will be the place where music connects people on Saturday 30 and Sunday 31 August.

Yoràn Vroom: Groove Beest
Drummer Yoràn Vroom returns to Amsterdam-Zuidoost, where it all began for him. In the family concert Groove Beest, he teams up with MC Cheyenne Toney and a powerhouse band to dive into a world of rhythm, dance, and music rooted in his Caribbean heritage. An explosive and interactive concert where standing still is no option. For all ages.

Chatlein i su Zumbi
Percussionist Vernon Chatlein explored the Zikinza sound archive, tracing a path through the rich Afro-Curaçaoan musical history. Inspired by the mysterious style Muzik di Zumbi, he composes new music for his group Chatlein i su Zumbi. With this band, he blends jazz and Latin with Antillean rhythms to create something vibrant and deeply rooted.

Nausyqa
Five young, international super talents united in a quintet: NAUSYQA. These musical storytellers from Portugal, Spain, Italy, and the Netherlands bring a fresh buzz to the Dutch jazz scene. Their second album PUNQ takes you on a sound journey. Each composition feels like a musical voyage: immersive, intense, and remarkably cohesive.

BNNYHUNNA
BNNYHUNNA (Benjamin Ankomah) grew up in Amsterdam-Zuidoost and discovered his deep passion for music at an early age. In church, he taught himself piano, drums, and guitar, and developed his gift for composition and production. He has since collaborated with artists like Akwasi and José James, and released his acclaimed debut album Echoes Of Prayers in 2023. His music moves between West African afrobeat, melodic hip-hop, and London-style funk jazz, enhanced by poetry, video, and visual art.

BIMHUIS Stage: Bnnyhunna, Chatlein i su Zumbi, Nausyqa, Danspaleis and Yoràn Vroom: Groove Beest

Jasper Blom

Suzan Veneman

Sun-Mi Hong

Zack Lober

With a career spanning over twenty years as a sideman, Zack Lober has finally formed his own band according to his own concept: a perfect marriage of catchy, singable songs with fierce moments of spontaneous collective improvisation. The trio with rising stars Suzan Veneman on trumpet and Sun-Mi Hong on drums will be expanded for the occasion with tenor giant and Boy Edgar Prize winner Jasper Blom.

A native of Montreal, double bassist and composer Zack Lober came up in Boston and played the New York jazz clubs for eleven years, alongside respected band leaders such as Henry Threadgill, David Binney en Seamus Blake. In 2019 he relocated to the Netherlands, where he started this trio, following the examples of Paul Bley and Jimmy Giuffre. Last year the first album by this formation was released on ZenneZ Records. For the recordings at Wisseloord Studios, Zack called in the help of another Dutch jazz luminary, saxophonist Ben van Gelder, who produced the album.

‘Quietly adventurous’ (Downbeat).

Zack Lober’s NO FILL3R ft. Jasper Blom

Reinier Baas

The National Youth Jazz Orchestra is the breeding ground for top talent in the Dutch jazz scene. Led by the innovative guitarist and composer Reinier Baas, the NJJO lifts a new generation of musicians to great heights. For this edition, Baas puts together an orchestra that learns to unite the process of improvisation with a wide range of influences from genres other than jazz.

The challenge is found in the combination, and the balance between challenging the musicians and keeping the audience engaged. Expect fresh energy, boundless improvisation and an innovative sound from these young jazz talents, led by one of Holland’s most exceptional guitarists.

NJJO & Reinier Baas

Marc Bischoff

Samuel Ruiz

Enrique Firpi

Izaline Calister

Niata Augusta

‘Izaline Calister Makes History at BIMHUIS’, headlined the NRC in 2000 following the CD presentation of her debut album in our venue. As a crowning achievement of her career, the singer now returns after exactly 25 years with a new program combining her most beautiful songs and new music.

Calister’s music is a fusion between the traditional music of her birth island Curaçao and jazz with Afro-Caribbean influences. Her body of work connects language regions through translations and her own versions of Dutch and Curaçaoan songs. She has released nine CDs under her own name; has many hits in Curaçao and Aruba; has been honored with an Edison award (2009) and was knighted (2018) for her work and the attention to our slavery past in her music theater performances.

‘This tumba queen sang captivating Antillean songs. She added jazz and salsa, walked barefoot as always, and thus made the ode to the Chopin of Curaçao passionate.’ (NRC)

Izaline Calister & band – 25 years in concert

George Dumitriu

Jamie Peet

Tijs Klaassen

Franz von Chossy

Jose Soares

Pianist and composer Franz von Chossy revives ancient wisdom in his project Mirror 9. Thios nine-part suite explores the nine enneagram personalities: the Perfectionist, the Giver, the Achiever, the Individualist, the Investigator, the Skeptic, the Enthusiast, the Challenger and the Peacemaker. The suite invites self-discovery and deepens the understanding of the various ways we think, feel and act. This project features top players in Dutch jazz, who are known for their open approach.

Franz von Chossy grew up in Munich, where he learned to play piano at a very young age and came to know classical music through his mother. His Ukrainian grandmother encouraged him to play folk music on the accordion. At Conservatorium van Amsterdam he studied jazz piano with several teachers including Rob Madna, and in New York he continued his studies with Kenny Barron, among others, and studied film composition as well.

‘Lyrical and sparkling playing’ (de Volkskrant on Franz von Chossy).

‘With him, magic on the keyboard is pure alchemy and a mix of the most different sounds. He can subtly create a delicate balance between Orient and Occident, between jazz, classical music and pop, light and darkness’ (Jazzthetik).

Jose Soares saxophone, George Dumitriu violin, Saartje van Camp cello, Tijs Klaassen double bass, Jamie Peet drums, Franz von Chossy piano/compositions

🍿 Chill

Franz von Chossy Group: Mirror 9

Adam

Maggie

Christie

Eric

Anna

Standard

guestList

Het BIMHUIS is een plek voor baanbrekende musici en nieuwsgierige luisteraars van alle generaties.

Hier wordt jazzgeschiedenis gevierd, ontwikkelt jong talent zich en wordt het gesprek over muzikale conventies en vrijheid doorlopend gevoerd. Al sinds 1974 zijn we een knooppunt in het nationale en internationale netwerk van grensverleggende muziek.

ONZE MISSIE

Wij beloven het publiek een wederkerige concertervaring op een prachtige plek, waar state-of-the-art, grensverleggende jazz ontstaat. In een persoonlijke sfeer met perfect geluid.

We programmeren vanuit het vrije denken. Dat doen we sinds 1974 met musici, makers, programmeurs en publiek die allen een bijdrage leveren aan het gesprek over (muzikale) conventies en vrijheid.

We geven vorm aan de veranderende wereld: we faciliteren projecten, initiëren en organiseren het maken van nieuw werk.

Het BIMHUIS is, net als jazz zélf, een open vorm, onophoudelijk in ontwikkeling, in relatie met de wereld – een mentaliteit. We scheppen in alle lagen van de organisatie condities om goed te luisteren voor meer wederzijds begrip. Luisteren naar de muziek, naar makers, naar elkaar, naar de bezoekers en naar de samenleving.

De uitgebreide versie van onze missie, doelen en plannen de aankomende jaren zijn te lezen in ons Beleidsplan.

STEUN
Het BIMHUIS heeft een ANBI-status. De Gemeente Amsterdam steunt ons met een meerjarige subsidie en ons programma wordt mede mogelijk gemaakt door het Fonds Podiumkunsten, Ammodo, Sena, Janivo en Brook Foundation. Wij zijn zeer dankbaar voor de steun van de leden van NEWTHING, onze vrienden en donateurs. Het BIMHUIS wordt gesponsord door Grolsch.

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