Vikendica is a travelling festival-weekender for adventurous new music, connecting four iconic venues in The Netherlands. In the first weekend of October 2024, venues Stroomhuis (Eindhoven), VERA (Groningen), WORM (Rotterdam) and OCCii (Amsterdam) join hands in showcasing a convoi exceptionnel of acts from Europe’s most vibrant underground scenes.

Named after a colloquial Western Balkans term for a weekend home, Vikendica simultaneously highlights the identity and ambiance of independent clubs. After a successful 2023- edition, the nomadic event returns on 3-6 October 2024; adding a fourth venue to its destinations. The first announced acts are: Omni Selassi (Bern, CH), Fotbal (CZ) and Berlin Manson (SK), who’ll perform on all four events. More acts are to be announced. Vikendica is an initiative by platform Yugofuturism.

Slovak trio Berlin Manson (CH) seamlessly blends punk and trap aesthetics and attitude, with radical political commentaries about social inequalities in the late-stage capitalist conditions in Central Europe.

https://www.instagram.com/berlin_manson/
https://korobushka.bandcamp.com/album/ivot-kon-ke-m-trin-st

Captivating Czech collective Fotbal (CZ) mixes elements of post punk with krautrock, math and psychedelica, shaping a mesmerizing and immersive sound that fits and itches like a warm winter sweater.

https://www.instagram.com/fotbal_band/
https://fotbal668.bandcamp.com/

Prolific Swiss avant-garde trio Omni Selassi (CH) explores every mood, sound and idea that they interact with on their experimental sonic adventures, using two drums, vocals and a barrage of additional tools.

https://www.omniselassi.com/
https://omniselassi.bandcamp.com/

Omni Selassi (CH) | Berlin Manson (SK) | Fotbal (CZ)

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Event source:
https://occii.org/events/vikendica-festival-omni-selassi-ch-berlin-manson-sk-fotbal-cz/

Culture

Punk

Trap

Cultural

🎨 Cultural

🪩 Party

OCCII

Vikendica Festival: Omni Selassi (CH) + Berlin Manson (SK) Fotbal (CZ)

LONG LIVE THE DEAD

A film BY Sofie Hanegreefs & Kris Pannecoucke about the music and rituals around death of the Frafra people from Ghana’s Upper East Region.

The only thing we are certain of in life is that we will all die one day.  
Since the beginning of time, people from all over the world have had very different rituals to deal with death. In modern society, death is often perceived as a taboo, some- thing negative and bad. We do not longer see it as a part of life.

In the culture of the Fra Fra people in northern Ghana, a death is a reason to celebrate life.  
Troubadour Stevo Atambire is a Kologo musician who plays at these funeral celebrations.

Trailer: https://vimeo.com/798648304/1b30d06be5


STEVO

Stevo plays a traditional Kologo guitar and sings improvised songs about the life of the deceased. With his music he honours the deceased and helps family members to say goodbye to their loved ones. StevO started as a student of King Ayisoba and has toured a lot already all over Europe, solo and with duo Alostman.

https://www.youtube.com/watch?v=_CmOaUCreaY

STEVO (Ghana)

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Event source:
https://occii.org/events/occii-willem-de-zwijgerkerk-film-long-live-the-dead-live-stevo-ghana/

Film

OCCII @ Willem de Zwijgerkerk: Film: “Long live the dead” + live: STEVO (Ghana)

Adam

Maggie

Christie

Eric

Anna

OCCII is an independent music venue. Situated in a building complex which was squatted in 1984, legalized in 1992. OCCII has since developed into a unique social centre for alternative music and other arts. 
 
OCCII provides a cultural program that is hand-picked for those drawn to a wonderful and wide range of subversive sounds and music genres: global beats, noise, punk, folk, improv, rave, avant-garde & electronic.
 
OCCII is not in it to make profit. We aim to be a home to all kinds of subcultures and non-commercial collaborations. At OCCII we want to create a space where all feel welcome and safe(r), regardless of gender, ethnicity, age, ability, sexuality or otherwise. Our venue is wheelchair accessible.
 
In addition to live music, OCCII also hosts Kinderpret: a series of Tuesday & Wednesday afternoon theatre performances and workshops for kids aged 2-12 years. OCCII is part of De Binnenpret, a social center consisting of a variety of cultural and political collectives.

COMMUNITY

We are part of a community of musicians, artists and audience from Amsterdam and beyond: an active group of volunteers to connect music, people and other venues in the city.

This community and our volunteers are the ones that continuously bring new music and new developments to OCCII. Many of them are not native Amsterdammers. OCCII has a staff of two who coordinate the program, volunteers and other tasks needed. Together we try to contribute to creating space we think is crucial to the social fabric of Amsterdam. To (re)claim a place in the ever gentrifying city center and to continue our radical, non-commercial way of hosting musicians from all over the world.

We are dedicated to support anyone who would like to organize an event or become a volunteer – please read more about that here!


THE BUILDING’S ARCHITECTURE

People often ask us: What is the story behind the eclectic facade of OCCII? The venue was once part of a larger complex (built in 1883/84) which functioned as horse stables and a depot for trams – that’s why OCCII’s main entrance has such tall doors! The architect was Abraham Salm, he based his design on the Russian National Style, inspired by a painting of a clock made by Viktor Hartman.

For many years, the facade was in disarray (very punk..!). In 2010 we were able to restore the exterior facade to its beautiful original state, with help from Monument Zorg and OCCII volunteers!

Other significant buildings in Amsterdam designed by Abraham Salm and his father G.B. Salm are (what we now know as): Paradiso and de Melkweg. It’s a wonder that all three buildings have transformed into the most important venues for live music – and the squatting movement in Amsterdam is to thank for that.

Read more about the history of the building on the website of Binnenpret, this blogpost we wrote and this article by ArchiHis.

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(Text and Image)
https://occii.org/info/