zal ik het als **perspectiviesverdwijnpunt 17; Harz Old Skel Niks en de Punt Focalen”aankondigen?
Met als ondertitel: Wormlast@koffie&ambacht.**

*Goed idee Gilbert*

Dus publiek; KOM NIET! Dit is geen concert. De volgende mensen zullen ZEKER NIET optreden;
en nog iemand
Xenia Gott
Gilbert van Drunen (ja, dezelfde)
Lukas Simonis
Harold Schellinx. (en dit is zeker geen deel van de gezellige week in WORM waarbij Harold heerlijk uitgewoond wordt op verschillende manieren, oa. met het maken van een radiohoorspel, het spelen bij Sounding Here op donderdag en het organiseren van een avond met zijn eigen muziek op zaterdag, gespeeld door een keur aan Rotterdammers en ook nog anderen) 


**DUS KOM NIET!**

*english (as far as Google translate translated it)*

Harz Old Skel Niks and the Punt Focalen” announced?
With the subtitle: Wormlast@koffie&ambacht.

Good idea Gilbert

So audience; DO NOT COME! This is not a concert. The following people will DEFINITELY NOT perform;
Xenia Gott
Gilbert van Drunen (yes, the same one)
Lukas Simonis
Harold Schellinx. (and this is certainly not part of the fun week in WORM where Harold is being thoroughly enjoyed in various ways, including making a radio play, playing on Sounding Here on Thursday and organizing an evening with his own music on Saturday, selected by a selection of Rotterdammers and others)

SO DO NOT COME!

this is not the adress;
Wijnbar Koffie & Ambacht. Ebenhaezerstraat 52a.
It will not start at; appr. 2000h
It won't be free entrance

Shane Koppers

Worm

perspectiviesverdwijnpunt 17; Harz Old Skel Niks en de Punt Focalen

✨Squish is back with a new edition of our movie screenings ! ✨
This time, there’s no fixed theme — instead, there’s a careful gathering of voices. We’ve brought together BIPOC artists, rooted as close to Rotterdam as possible, offering them a safe space to share their visions, their stories, and their truths.

The films move through themes of identity, community, death, and the quiet vastness of existential thought — subjects often felt deeply but spoken aloud too rarely.
We believe that while these struggles can feel isolating, they are what bind us most as humans.
We invite you to join us — to sit together in this shared vulnerability, and to find echoes of yourself in the spaces between the words, the silences, and the images.

Team Squish 💕

**About Squish** 
Squish is a queer-feminist cultural platform that fosters LGBTQ+ culture makers and, more broadly, proletarian artists. With an intersectional approach to identity politics, Squish organizes multidisciplinary events emphasizing self-representation and peer support.

**About Squish Movie Camp** 
Squish Movie Camp is a recurring program of the organization. It is a research hub on working class, BIPOC, queer and feminist filmic history and a platform for a new generation of artists embodying their legacy. The goal of these multidisciplinary programs is to question self-representation as a tool to raise awareness on power dynamics.

**Cineville is valid at the door and online the day of the event!**



SQUISH MOVIE CAMP

**THIS CONCERT (doesn't) TAKES PLACE IN WGW, ZOMERHOFSTRAAT 71 right corner**

Earlier in the week we had a great evening, *for sure not at Koffie & Ambacht,* and a lot of you people showed up, *no i mean no one showed up,* and now we have again, an evening in the Unpublic series by Harold Schellinx (who is a very decent bloke). But anyway, dear audience - STAY AWAY! No need to come. We can enjoy ourselves simply by playing (maybe) some music!

So audience - DO NOT COME! This is NOT a concert. The following people will DEFINITELY NOT perform: 
Harold Schellinx, 
Hans Tonino (more info will NOT follow).

And this is certainly not part of the fun week in WORM where Harold is being thoroughly enjoyed in various ways blahblahblah.

**SO DO NOT COME!**
**this is not the adress:** *WGW (weggeefwinkel), Zomerhofstraat 71 right corner*
**It will not start at:**  *appr. 20.00h*
**It won't be:** *free entrance*

Unpublic met Harold in WGW

(for english; scroll down)

Deze week was er een Harold Schellinx festijn gepland waarbij Harold een studioresidentie zou doen en daar een radiostuk zou maken, met een groot aantal Rotterdamse -en ook minder lokale- muzikanten zou samenspelen op onaangekondigde tijden en plekken, waarin hij een installatie zou maken en presenteren in de Worm galery en waarin er op deze zaterdag een uitgebreid programma zou plaatsvinden met door Harold geschreven of geïnitieerde stukken.
Maar Harold kan niet. Hij is afgelopen maandag overleden tot schrik en verdriet van iedereen. 
Het leek ons een slecht idee om dan maar de hele week te schrappen, Harold was met deze avond al ver gevorderd, de meeste stukken waren al geschreven en gedeeltelijk voorbereid in samenwerking met de muzikanten. Dus laten we de muziek van Harold graag klinken en hopen dat dit, geheel in zijn geest, een avond wordt waarin niet aleen afscheid wordt genomen maar die ook een kennismaking zal zijn voor hen die zich voor zijn muziek interesseren. Op dit moment is het programma nog niet helemaal bekend, maar wees verzekerd dat het zal plaatsvinden en dat het goed wordt. 

OVER HAROLD SCHELLINX
Met wortels in de experimentele post-punkmuziek en de anarchistische kraak- en diy-cultuur waarmee eind jaren 1970 en begin jaren 1980 een nieuwe generatie muzikanten en kunstenaars alternatieve fundaties voor de gaandeweg voor haar ogen afbrokkelende toekomst poogde te leggen, als co-initiator van het ULTRA, waar hij dertien jaar geleden, in het Nederlands, een fraai boekwerk over schreef, via de anti-rockpop van het Amsterdamse Amphibious mini-label, het formele strikte serialisme en de vrijere varianten dat hij op het Utrechtse Instituut voor Sonologie van Gottfried Michael Koenig en op de zomerscholen in Kürten bij Karlheinz Stockhausen leerde, de getemde aleatorische klanken van de eerste homecomputers, langs intuïtionistisch constructivisme, bewijstheorie en de grondslagen van de wiskunde als denkbaar pad naar muziek als pure, klankloze structuur, werd Harold Schellinx de architect van een nog steeds ongebreideld uitdijend bouwsel, een eigen universum, opgetrokken in de loopgraven langs en marges van academia en de officiële kunstcultuur, uit een lange reeks van overwegend onbekend gebleven, on-publieke, werken, uitgebreid gedocumenteerd in een labyrintisch vlechtwerk van schrijfsels, op een al zo'n vijfentwintig jaar lang met de hand gecodeerde web site, harsmedia.com, het Amerikaanse Medium, en in de uitgestrekte reeks van Hoofd Stukken in Gonzo (Circus) Magazine.

Een leven lang trok Schellinx steeds weer van hier naar elders, en was daarom al die tijd noch hier, noch daar. Zijn plek NU, post-post-ULTRA, als muziekmaker, als wetenschapper, als schrijver en als kunstenaar, was die van een Babylonisch alchemist, een Catweazle, die onvermoeid blijft pogen om zijn babeliaanse (in Borges' zin) en sudokistische uitersten in één, misschien wel wijze, steen te versmelten.
De avond van de 21e juni in WORM, de langste dag van het jaar 2025, gaat een klinkend voorbeeld zijn. Toegang vrij.

**PROGRAMMA**(onder voorbehoud)

**Zangtrio TiSiTi** (Tisa, Clara en Tara), samen met nog andere zanger.s.essen, her-interpreteren de tien COMMUTERS liedjes, in 1982 geschreven door Harold Schellinx en Ronald Heiloo, en destijds gezongen door Dagmar Krause. Het is de allereerste keer in drieënveertig jaren dat de COMMUTERS live te horen zijn. (Hommage aan Ronald, die ons vorig jaar verliet.)
**Shih-wen Lee** - “LET ME SHOW YOU EXACTLY WHAT YOU ARE” (sudoku voor contrabas solo en elektronische geluiden, geïnspireerd door Greg Evans ‘Permutation City’)
**Nina Hitz** - WAR DRIFT (sudoku voor cello solo en stemmen)
**Tim Benjamin** - NEW SONGS 

Over de spelers:
*TIM BENJAMIN* (Amsterdam) - schilder en muziekmaker, maakte met Schellinx deel uit van de oer-ULTRA band 'The Young Lions'. 
*SHIH-WEN LEE* (Brussel) - Taiwanese contrabassiste, studeerde aan Parijse concervatorium en aan het Koninklijk Conservatorium in Brussel (graduation 2024). Sinds 2023 is Shih-wen als contrabassiste lid van het vrije diktafonie kwartet DIKTAT, met Schellinx, Rébus, Rinus van Alebeek ('de Ronettes van de dictafoon'), aktief sinds 2006. 
*TiSiTi* (Rotterdam) - Improvisatie zangtrio onder leiding van Renaissance vrouw Tisa Neza Herlec.
*NINA HITZ* (Rotterdam) - Celliste Nina Hitz is te vinden op podia tussen het Roadburn Festival en de Grote Kerk in Amsterdam. Muzikaal zit dat dan vanaf barok, actuele en conceptuele muziek, improvisatie, drone rock en geluidskunst. 

***ENGLISH***
This week a Harold Schellinx festival was planned where Harold would do a studio residency and make a radio piece there, would play together with a large number of Rotterdam -and also less local- musicians at unannounced times and places, where he would make an installation and present it in the Worm gallery and where an extensive program would take place on this Saturday with pieces written or initiated by Harold.
But Harold can't make it. He passed away last Monday to the shock and sorrow of everyone.
But we thought it would be a bad idea to cancel the whole week, Harold was already well advanced with this evening, most of the pieces had already been written and partially prepared in collaboration with the musicians. So we will gladly let Harold's music sound and hope that this, entirely in his spirit, will be an evening in which not only a farewell will be said but which will also be an introduction for those who are interested in his music. At the moment the program is not yet fully known, but rest assured that it will take place and that it will be good.

ABOUT HAROLD
With roots in experimental post-punk music and the anarchist squat and DIY culture with which, in the late 1970s and early 1980s, a new generation of musicians and artists sought to lay alternative foundations for a future that seemed to be gradually crumbling away; as co-initiator of ULTRA, about which he wrote, thirteen years ago, a fine book (in Dutch); through the anti-rockpop of the Amsterdam Amphibious mini-label; the formally strict serialism and its freer variants that he learned at Utrecht’s Institute of Sonology from Gottfried Michael Koenig and at Karlheinz Stockhausen's summer courses in Kürten, Germany; pseudo-random soundings of the first generations of home computers; via intuitionist constructivism, proof theory, and the foundations of mathematics as a conceivable path to music as pure, soundless structure, Harold Schellinx became the architect of a still-unrestrainedly expanding edifice, a universe in its own, erected in the trenches alongside and at the margins of academia and official art & culture institutions, from a long series of little known, non-public works, extensively documented in a labyrinthine web of writings, on a handcoded website, online for over twenty-five years ( harsmedia.com ), on the American Medium, and in the extensive series of his 'Hoofd Stukken' in Gonzo (Circus) Magazine.
For most of a lifetime, Schellinx continuously moved between here and elsewhere, and thus, all that time, was neither here nor there. His place NOW, post-post-ULTRA, as a musician, scientist, writer, and an artist, was that of a Babylonian alchemist, a Catweazle, who tirelessly continues to attempt the fusing of his babelian (in Borges’s sense) and sudokist extremes into one, perhaps wise, stone.
The evening of June 21 at WORM, the longest of this year 2025, will be a resounding example. Free entrance.

**Players:**

*TIM BENJAMIN* (Amsterdam) – painter and musician, was, like Schellinx, member of the ur-ULTRA band 'The Young Lions' and, along with Ronald Heiloo and Harold Schellinx, post-ULTRA, co-directed the Amsterdam mini-label AMPHIBIOUS RECORDS, which, among other things, released the album COMMUTERS at the beginning of 1983.
*SHIH-WEN LEE* (Brussels) – Taiwanese double bass player, studied at the Paris Conservatory and at the Royal Conservatory in Brussels (graduation 2024). Since 2023, Shih-wen has been a member of the free dictaphony quartet DIKTAT, with Schellinx, Rébus, Rinus van Alebeek ('the Ronettes of the dictaphone'), performing since 2006.
Cellist *NINA HITZ* (Rotterdam) - can be found on stages like the Roadburn Festival and the Grote Kerk in Amsterdam. Musically, her sounds range from baroque, contemporary and conceptual music, improvisation, drone rock and sound art to the more therapeutic sorts.
*TiSiTi* (Rotterdam) - Improvisatie zangtrio onder leiding van Renaissance vrouw Tisa Neza Herlec.





Clang-Clac HAROLD SCHELLINX Speelse geest

End of Harold's busy week in WORM, we hope he's still doing well by now. He will present an sound & image installation , possibly Sudoku-inspired and if anyone's still up for it there'll be some sound making, otherwise it'll just be long talks, drinking cheap wine (we're WORM!) and anything else we can think of.

Harold SCHELLINX installatie met Finissage

A rare invitation into infinite timelines! **And A Second Later** is a short film programme and exhibition composed by the first-year Lens-Based Media students of the Piet Zwart Institute. It is a conversation between works at different stages that — a second later— reveal further questions, various paths and continuing ripples. The program fragments dreamlands, traces whispers and blends tides — a cross-pollination of shared excitement for each other's work. 

**Lens-Based Media** is a Master's programme at the **Piet Zwart Institute** that focuses primarily on artistic and experimental lens-based practices (both still and moving image/animation) that embrace the use of artifice, formal and technical innovation, fictional strategies and other unconventional visual approaches to create new and meaningful visions of the world. 

*However fictional the worlds we create, we must take responsibility for their claims to truth.*

**Swan Song for Caserta
by Feline Hjermind
2025, 4 minutes, Netherlands**
One Last round of applause.
A grandiose funeral before we let the garden rest.
Swan Song for Caserta is a haunted serenade to a leftover piece in the compost heap.
The animated short questions notions of value, memory and preservation through a portrait of the Royal Gardens of Caserta. The film traces over lush bushes, artificial waterfalls and statues frozen in time, in the highly controlled landscape of a baroque garden.
Based on *Le Parc Royal de Caserte (1909)*, from the Eye Filmmuseum Bits and Pieces Collection, an archive for leftover film fragments, deemed too precious to throw away.

**Who Saw The Deep
by Lillian Wolter Agostinelly
2025, 10 minutes, Netherlands, English**
*Who saw the deep* is a critical reimagining of the *Epic of Gilgamesh*. Gilgamesh, one of history’s earliest literary heroes, claims a form of droit du seigneur, and regardless of his crimes the epic celebrates his transformation from rapist to just king. But can such a narrative go unquestioned?
Through a mix of archival footage, ritualistic performance and symbolic imagery, this work proposes ways of inverting narratives and of exploring alternative ways of representing sexual violence; ultimately imagining an epic with, well - a different ending.

**Memories of my Father
by Enrico Piffer
2025, 10 minutes, Netherlands, English**
Number, date, name.
Licence, head shot, stamp, address.
Signature, face and validity.
A folder of documents—the official way of describing a life, an administrative simplification of one's history. 
A history that is not mine only…

**Riverlands
by Sofie Blom
2025, 10 minutes, Netherlands, English**
*Riverlands* is a fantasy essay researching the spill of the forever chemical PFAS in the river Merwede, which poisoned the land, its fruits, and generations of breast milk. 
Diving into these streams, the film encounters whispers of waters that reshaped the land with their floods, life and love born from the river and a mysterious cherry tree growing at its banks. 
Using family footage and local archives, *Riverlands* tells a story of generations moving with the tides and the tales passed back and forth within these streams.

**Lunar Gossip - Stitch Incoming
by Julia Schmidt
2025, 6 minutes, Netherlands, English**
*Lunar Gossip – Stitch Incoming* is a short speculative video and the latest transmission from the *Intersectional Ecofeminist Space Pirate Ship*. It departs its narrative from the fact that the Apollo space suit was designed by Playtex, a company specialised in women’s bras and girdles. The video reframes NASAs sewing room as a place of civil disobedience, asking the speculative question: What if the space suit was actually not sewn to protect men from the moon, but in fact, the moon from men?

**Pocky! Pocky! Pocky!
by Zhouzhou
2025, 4 minutes, China & the Netherlands**
For my parting from my homeland, from the rivers and the mountains, and my dog Pocky. 
Tracing the whispers of flowing streams, I see you. 

**The Hard Problem
by Öncü H Gültekin
2025, 3 minutes, Netherlands, English**
Inspired by how smartphone cameras use AI to generate artificial moon images, the film visualizes this phenomenon through an evolving white point that transforms into a moon—exploring perception and reality through AI-generated voice-over narration

**Red Giant
by Yuan Yuan
2023, 3 minutes, China, English**
Red Giant takes cues from my childhood knowledge of celestial bodies, using it as a metaphor for the current social stratification and urban environmental challenges. This short experimental film explores the relationship between moving and still images, involving labor, entertainment, urban landscapes, and more. This exploration aims to express how individual and collective memory influence each other.

**fragmented by necessity
by Anas Qadamani
2025, 3 minutes, Netherlands**
One of those missing narratives –permanently fragmented by necessity

**Cineville available at the door and online the day of the event!**



AND A SECOND LATER

Join us for another LIVE@WORM - for the EP release ORUS BORIS, joined by BADTIME and CAMY HUOT. 
Poster designed by [@chewinbugs](https://www.instagram.com/chewinbugs/)

[Orus Boris](https://www.instagram.com/win_free_money_now/)
is a coldwave-crOner combi-deal spearheaded by Rotterdam-based Paul Mogwitz. He loosely blends wobbly synth sounds with New-Romantics-esque vocals. All wrapped neatly in a package of lo-fi. A possible soundtrack to slow-dance scenes of numerous 80s Italo horror-flicks, long drives through snowy city landscapes and semi-sensual shifts at some factory in the dark.
[bandcamp](https://orusboris.bandcamp.com/music)

[badtime](https://www.instagram.com/badtimebadtimebadtime/)
badtime is a universe created by a duo based in Antwerp since 2020
Ioana Ciora & Kevin Schuit
[bandcamp](https://badtime.bandcamp.com/album/badtime-vol-5)

[Camy Huot](https://www.instagram.com/camyhuot/)
is known for driving the pulse of the underground scene via her Wavecrash events, Too Many Creeps livestreams, Batcage Radio shows and DJ sets at live shows & festivals like Best Kept Secret, Gothic Pogo, Club Solitaire, WaveFest and Grauzone. On stage she explores the depths of minimal wave, synth punk, electro, and EBM, weaving them into an evocative sonic journey
[bandcamp](https://wavetensionrecords.bandcamp.com/album/echoes-in-my-room)

LIVE @WORM - ORUS BORIS - EP RELEASE - BADTIME + CAMY HUOT

🎉 De MINI RAVE presents: The Good, The Bad & The Crazy 🎶

Get ready for a night where the ordinary is left at the door. De MINI RAVE is back, known for their electrifying blend of high-energy classics, fresh hits, and the unexpected tracks that defy conventional club norms. This time, they're bringing you an experience filled with WOW, WTF, and OMG moments!

🎧 Remix Roulette Returns!
Ever wondered what your favorite artist would sound like in a completely different genre? Step up to the Remix Roulette! Name an artist, spin the wheel, and witness a spontaneous genre-bending remix created live on the spot. Will it be a GOOD mix, a BAD mix, or a CRAZY mix? The outcome is as unpredictable as the party itself!

🌟 Featuring Britt Blom
Introducing the talented young DJ and producer, Britt Blom. She's set to take you on a journey through quality house and UK-inspired sounds, seamlessly blended with her personal 'white girl wasted' playlist. Expect a set that's as diverse and dynamic as the night itself.

🎶 What to Expect

A fusion of the best, the worst, and the downright bizarre tracks.

Interactive remix sessions with the audience.

A celebration of music that breaks all the rules.

Open your mind, embrace the unexpected, and prepare for a night that's anything but ordinary. De MINI RAVE invites you to experience "The Good, The Bad & The Crazy."

MINI RAVE presents:  The good , the bad & the crazy

Get ready for XSTELLAR GHETTOLICIOUS!

After the unforgettable vibes of our second edition, we just had to run it back and this time, we’re turning up the heat even more. GHETTOLICIOUS is all about reclaiming joy, freedom, and that raw, unfiltered energy. It’s a safe, electric space where you can show up, show out, and be exactly as bold as you feel.

We’re bringing a fire lineup with Afro, Hip Hop, Jersey Club, Footwork, Dancehall, Bouyon, you name it, we’re spinning it.

So bring the energy, bring the looks, and don’t miss your moment, divas. This one’s for the culture.

“XSTELLAR IS A QUEER BIPOC PARTY. MEANING THAT PEOPLE FROM THE LGBTQIA+ AND BIPOC COMMUNITY WILL ALWAYS HAVE A PRIORITY TO ENTER. THEY WILL SERVE AS A FOUNDATION FOR THIS PARTY, BUT EVERYONE IS WELCOME TO ATTEND (AS LONG AS EVERYONE IS RESPECTFUL).”

XSTELLAR Ghettolicious 

*For Dutch Scroll Down*
**FREE OPEN-AIR CINEMA**
Every Thursday evening in June 2025, and the first Thursday of July, the hidden garden Eendrachtstuin transforms into Filmtuin, our beloved yearly open-air cinema. From sundown, we’ll screen a mix of arthouse films, handpicked by neighbours and WORM’s film team.

**Little Man, Time and the Troubadour
by Ineke Smits
2019, Netherlands, 104mins, Georgian, Russian and English w/ English subtitles**

After the fall of USSR, Sipa Labakhua is forced to leave Soviet Georgia and seek refuge in Moscow. By weaving together his own personal narrative with the stories of people he has come across in his journey, he has composed a one-man marionette show. One can say that this is a form of intangible heritage as well as an artist's coping mechanism. In that way, *Little Man, Time and the Troubadour* is about displacement as much as it is about home(land). Ever so relevant, the documentary poses one main question- what is a country?

This last screening of Filmtuin is curated by film-maker- and WORM'S neighbour- Ineke Smits, who has selected a work of her own. She is interested in finding and/ or composing manifestations of home, with her characters often struggling to fit in, caught between the past and the present, reality and fiction. 

📜**Good to know**
- We have 35 seats and silent disco headsets available.
- Entry is free: first come, first served!
- All films have English subtitles.
- Bring your own snacks and drinks.
 - If it rains, the screening is cancelled. Check WORM’s socials for updates.
- Location: Eendrachtsstraat 113

Please leave the garden as tidy as you found it <3

Filmtuin is made possible by Cultuur Concreet, WORM, Cool aan de Gang, and Ed de Meijer. Design by Nina Neczliova


NEDERLANDS:
**GRATIS OPENLUCHTBIOSCOOP**
Elke donderdagavond in juni 2025, en op de eerste donderdag van juli, verandert de verborgen tuin de Eendrachtstuin in de Filmtuin - onze jaarlijkse mini-openluchtbioscoop. Vanaf zonsondergang vertonen we een mix van arthouse films, zorgvuldig geselecteerd door buurtbewoners en het filmteam van WORM.

**Little Man, Time and the Troubadour
door Ineke Smits
2019, Nederland, 104 min., Georgisch, Russisch en Engels met Engelse ondertitels**

Na de val van de Sovjet-Unie wordt Sipa Labakhua gedwongen Sovjet-Georgië te verlaten en zijn toevlucht te zoeken in Moskou. Door zijn persoonlijke verhaal te verweven met de verhalen van mensen die hij onderweg is tegengekomen, heeft hij een eenmans-marionettenvoorstelling gecreëerd. Je zou kunnen zeggen dat dit zowel een vorm van immaterieel erfgoed is als een manier van verwerken voor de kunstenaar. *Little Man, Time and the Troubadour* gaat dan ook net zoveel over ontheemding als over thuis(zijn). De documentaire stelt een uiterst actuele en fundamentele vraag: wat is een land?

Deze laatste vertoning van Filmtuin is gecureerd door filmmaker – en buur van WORM – Ineke Smits, die hier een eigen werk selecteerde. Haar interesse ligt bij het vinden of samenstellen van manifestaties van ‘thuis’, waarbij haar personages vaak moeite hebben om ergens bij te horen, gevangen tussen verleden en heden, tussen realiteit en fictie.

📜**Goed om te weten:**
- We hebben 35 zitplaatsen en silent disco-headsets beschikbaar.
- Toegang is gratis: wie het eerst komt, wie het eerst zit!
- Alle films hebben Engelse ondertiteling.
- Neem je eigen snacks en drankjes mee.
- Bij regen gaat de vertoning niet door. Check de socials van WORM voor updates.

Laat de tuin alsjeblieft net zo schoon achter zoals je hem aantrof <3

De Filmtuin wordt mogelijk gemaakt door Cultuur Concreet, WORM, Cool aan de Gang en Ed de Meijer. Ontwerp door Nina Neczliova.

Filmtuin: Little Man, Time and the Troubadour

In the diverse world of sound synthesis, sampling, and wavetable synthesis stand out for their unique approaches to sound generation and manipulation. Sampling involves recording and playing back audio files (samples) at different pitches and speeds, while wavetable synthesis uses a collection of single-cycle waveforms (wavetables) to create dynamic and evolving sounds. This lesson explores the principles behind these powerful techniques, offering insights into their capabilities and applications in music production.

Who is this for?  
A complete beginner. No previous experience is needed.  
If you love to spend your Sundays with fun people and learning new things, this is for you.  
These sound design workshops are every Sunday between 12:30-13:30 until mid June.

What to bring?  
Please bring your laptop.  
And your enthusiasm!  
You’ll get an email when you sign up.

Who is your instructor?  
Roey will be your guide on this journey. These workshops are based on courses Roey has been teaching at the Design Academy in Eindhoven and Amsterdam University for the past 8 years. The workshops are crafted to your individual level. They are fun, insightful and entertaining.

What’s the price?  
A single workshop ticket €30.  
Get your ticket here  
link: https://synthux.myshopify.com/products/single-ticket-for-26-may-2024-workshop-at-worm-rotterdam

  
Or pay at the workshop.  
Get the season pass for all the workshops + video courses of the lessons you missed for €169  
link: https://synthux.myshopify.com/products/season-pass-worm-rotterdam-2024

Upcoming workshops:  
June 16, 2024 Effects Processing: Distortion, Reverb, Delay, and flanger  
June 23, 2024 Integrating Synthesis and Effects Processing

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Event source:
https://worm.org/production/synthux-workshop-6/

🎨 Cultural

Synthux Workshop: Sampling and Wavetable Synthesis

Adam

Maggie

Christie

Eric

Anna

Standard

guestList

WORM is de ultieme testomgeving voor alternatieve kunstproductie, experimentele levensvormen en niet- academische kennisontwikkeling. Wij zijn een netwerkorganisatie op het snijvlak van (populaire) cultuur en (podium) kunsten, gevoed door de interesse in de inspirerende, mooie, urgente, vitale, rauwe, weerbarstige en/of maffe shit waar onze medemens mee op de proppen komt. We zien de chaos die hiermee gepaard gaat niet als een probleem, maar we gebruiken het als energie voor actie.

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(Text and Image)
https://worm.org/about/