A critical and ironic view on modern society's approach to empathy, technology ethics and psychiatric system through means of theatre, dance and dark comedy. **I’m Robot and I need Therapy** is a piece that brings together topics of *Artificial Intelligence and mental health in the medium of performance*. Crossing the ideas of neurodiversity and responsible AI, it is working with the absurd idea of a **“mentally unstable AI” and its “therapeutic needs”**. 
[Project website](https://linktr.ee/mentally.unstable.ai)
[project instagram](https://www.instagram.com/mentally.unstable.ai)

**I’m a Robot and I need Therapy** is an experimental performance that crosses ideas of neurodiversity and data feminism and offers a critical and ironic view on modern society’s approach to technology, ethics, empathy and the mental health care system.  It includes a live therapy session for a “mentally unstable AI” and perspectives of “human agents”: AI-therapist, tech start-up CEO, hacker, AI’s girlfriend. Within the tragicomic genre it questions agency, subjectivity and power relations and draws parallels with the field of psychiatry, based on autobiographical material and personal experiences of being a neurodivergent artist and a psychiatric survivor. AI is engineered for this project and trained with a unique dataset; it generates text in real time and therefore becomes an improvisation partner.

**Aftertalk with EIAI Institute**
After the performance, EIAI Institute *invites you for a moderated discussion. In an exchange with you as an audience, they are holding a focus group discussion to gather your findings on human and AI psychology.*
Institute of Emotional Integrity for Artificial Intelligence

**About the maker:**
**Marina Orlova** is an independent dance/theatre maker and dramaturg. After receiving education in sociology in Moscow (‘09), Marina has been studying dance (since ‘12). She graduated from SNDO at the Amsterdam Academy of Theatre and Dance (‘21). Her main topics are mental health, tech ethics and migration; her aesthetics -
tragicomedy and absurdism. Marina’s current artistic practice also includes writing, teaching and facilitating a support group for “artists in distress”. Since 2020 Marina is applying Data feminist approach to create political chatbot-performers: non-European AI, neurodivergent AI. With her ongoing anti-disciplinary research Marina mediates engineering logic and theatre apparatus in order to explore the process of meaning-making at the collision of the two worlds.
[@marina.or.not](https://www.instagram.com/marina.or.not/)
[artist's website](https://marina-or-not.github.io/portfolio/)


**Credits:**
concept, text, directing, performance: Marina Orlova 
co-directing: Nazar Rakhmanov 
creative AI engineering: Artem Konevskikh 
dramaturgical advise: Amelie Haller, Burkhard Körner 
sound design: Arieh Chrem 
light design: Nazar Rakhmanov 
outside eye: Tiana Hemlock-Yensen 
creative process facilitation: Burkhard Körner 
production: Marina Orlova 
supported by: IDlab (AHK), Veem House for Performance AFK, Creative Industries NL,
Wilhelmina E. Jansen Fonds, Amarte fonds Special thanks to Raoni Saleh, Yves
Regenass, Gala Faraus, Willem Weemhoff, Erik Lint, Jos Daamen, Asya Deinekina

*Premiere - 13th November 2024 at Frascati Theater Amsterdam*
(English spoken performance)

Shane Koppers

Worm

UBIK Performance Night w/I'm a Robot and I need Therapy by Marina Orlova

Grauzone Festival and Pinkman Records team up once again for a thrilling night of live music and DJ sets! Get ready for an electrifying mix of EBM, new wave, post-punk, and italo disco, keeping you dancing until dawn. Don't miss out!

**Qual (UK)**

Lebanon Hanover’s William Maybelline returns with his solo project, Qual—bringing his darker, heavier take on synth electro and EBM. A longtime guest at Grauzone Festival, Maybelline now makes a special trip to Rotterdam for this exclusive show. Last year Qual released Techsick on Fabrika Records (She Past Away, Lebanon Hanover, Selofan). His music has always embraced the harsher edges of sound, drawing from goth, industrial, and even techno influences. Qual welcomes a post-apocalyptic nuclear winter, where terror and restless chaos give way to the digital age—condemned to transformation, birthing hybrids, mutated humans, and a depletion of the organic.

**Bound By Endogamy (CH)**

Bound By Endogamy is a Swiss duo made up of Shlomo Balexert and Kleio Thomaïdes who both come from the squat/punk scene. Their live project consists of drums, sampler and female vocals, and has been described as a cross between DAF and Kleenex with a more hardcore background.

**Camy Huot (FR)**

Camy Huot is a DJ, producer, and radio host whose sets explore the depths of minimal wave, synth punk, and EBM. This time, she takes it a step further with a hybrid set, seamlessly blending her DJ skills with live performances of her own tracks, enriched by her haunting vocals. Expect an immersive journey through the obscure and hypnotic tones of the underground.

Support by Princess-K and Grauzone DJ Team

Pinkman x Grauzone

KLAUW is BACK, darling 💜!
With our classic recipe for a delicious Queer club night at homebase WORM. You know the drill! And if you don't, allow us to reintroduce ourselves quickly:
  
In our house on May 3rd, we are inviting every-body to come as they are. KLAUW is the place for you to (re)discover sides of yourselves and share that with one-another. With our guidelines at the door and our lovely angels on the floor we are trying to make it a joyous night for all 👯‍♀️🕺🏽
KLAUW shines the spotlights on DJs, Performers and Artists from our incredibly talented communities - mixing all these elements into an unforgettable cocktail of a night. Will we see you there? 🥂💃🏽🎆

KLAUW 

ZING EN WEES GELUKKIG 
In deze tijden van (dreigende) oorlog stellen we ons de vraag: durven we ons te verzetten als het nodig is en tegen welke prijs? Hoe solidair zijn we met elkaar in tijden van rampspoed?  

Bijna 80 jaar na het einde van de bezetting lijkt het besef van wat die saamhorigheid van het verzet waard was enigszins afgevlakt. Vreemd is dat niet na zo’n lange periode vrede op eigen grondgebied. Weinig mensen in de huidige tijd hebben die periode nog echt meegemaakt. Nu de laatste tijd de wereldse conflicten dichterbij komen, worden de vele generaties, die opgroeiden in vrede, enigszins wakker geschud. En wordt het verzetsdilemma van de Duitse bezetting opnieuw relevant. 
Aan de hand van het levensverhaal van de Dordtse verzetsheld Diet Kloos vertelt de voorstelling over de moed om je leven op het spel te zetten voor een groter belang.

Diet is 16 als ze in het verzet terecht komt, samen met haar geliefde Jan met wie ze tijdens de oorlog nog trouwt. Als ze worden opgepakt en Jan wordt gefusilleerd geeft hij haar nog een levensopdracht mee: “zing en wees gelukkig!”. Diet begint een zangcarrière en wordt een gewaardeerde solist en docent, maar of ze slaagt in de opdracht om gelukkig te worden? Welke offers heeft ze moeten brengen voor haar heldendaden?
De voorstelling brengt het verzetsverleden vanuit de actualiteit op een heel persoonlijke en directe manier naar het publiek. Dit maakt dat de vragen die centraal worden gezet niet vrijblijvend zijn, maar tot nadenken aanzetten over oorlog en verzet.

Spel Dieke de Vries
Cello Nina Hitz
Tekst EW Geerlings, gebaseerd op de brieven van Jan en Diet Kloos. 
M.m.v. leerlingen van het Johan de Witt-gymnasium.
Regie Ellen Honings.
Productie Theater Het Weeshuis
Duur: 1 uur en 15 min
Meer informatie: [https://weeshuistheater.nl/zing-en-wees-gelukkig/](https://weeshuistheater.nl/zing-en-wees-gelukkig/)

ZING EN WEES GELUKKIG over DIET KLOOS

**Knock, Knock** is a film screening of shorts that focuses on relics from the past and how they are contextualized in a contemporary context through a feminist lens. Situated in domestic spaces and homelands, using mother tongues and biographies, and borrowing from historic national archives and popular culture, these works probe the haunting origins of the present and explore the irreducible strangeness of images, animating characters and stories through a diverse range of media. The event includes films by Zuzanna Banasinska, Keren Cytter, Che Go Eun, Helen Anna Flanagan and Alice Theobald, followed by a sonic performance by Janneke van Der Putten.

This event is curated by **Helen Anna Flanagan**, an artist working across film, installation, performance and writing. She looks to investigate social structures and the political subtext of the everyday, focusing on affects and emotions, labour and the body. Her work was awarded the IKOB Feminist Art Prize (2019), the VISIO Young Talent Acquisition Prize (2020), a fellowship with Needcompany (2021) and the second prize of Art Contest Brussels (2021).

**Janneke van der Putten - Cycles: Overstone and Glottis Attack**
In an intuitive and physical way, Janneke van der Putten explores her voice as a sound texture. She has specialized in extended vocal techniques, producing two or more sounds simultaneously: basic tones, harmonics, interferences – like glottic attacks – and spatial reflections. Van der Putten uses architecture as a natural sound amplifier and as a trigger for echoes or other sonic effects. Wandering in space makes the sound move and generates a dynamic listening experience. Her performances are often performed without electrical amplification. In this way, she focuses on the exploration of space itself: how it sounds, whether it is lit or not, and where the audience is located.

**Keren Cytter - Four Seasons (12’5), 2009, Germany, English without subtitles** Opening with a neo-noir celebration of late-Hitchcock-meets-1980s-kitsch: a record plays dramatic music by Ferrante & Teicher; thick fake blood drips onto white tiles; snow whirls through the apartment and a lone woman climbs a dark, smoky staircase.

**Zuzanna Banasinska - Grandmamauntsisterscat (23’00), 2024, Poland and Netherlands, Polish w/ English subs** The classic Slavic witch figure, Baba Jaga, is reimagined as a “prehistoric goddess from the times of the matriarchy” using found footage from the Polish Educational Film Studio archive. This transformation incites layered reflections on kinship and identity, guided by a child grappling with binary gender roles.

**Che go Eun - ‘The Taste of tea’ (7’22), 2023, Belgium, no dialogue** - Inspired by Kusôzu, which means ‘painting of the nine stages of a decaying corpse’ in Japanese Buddhist paintings, the Taste of Tea is an exploration of uncanny visuals depicting a female body decaying, symbolizing the circle of life and the fusion of digital technology with traditional paintings, using AI imagery.

**Helen Anna Flanagan - Phil in-progress edit (25’00), 2025, United Kingdom and Netherlands, English spoken without subtitles** is a contemporary ghost story that resurrects legendary British comedian Tommy Cooper, who famously died mid-performance in 1984. Combining machine learning,VHS, archival materials and a trained impersonator, the film follows Phil, an unemployed magician trapped in the decaying home of the director’s late schizophrenic uncle. Phil’s hallucinatory act delves into themes of social class, identity, mental health, and delusion, punctuated by his trademark jokes and failed magic tricks.

**Alice Theobald - IL Y AURA (THERE WILL BE) (18’54), 2022, France and United Kingdom, French w/ English subtitles** is an experimental screenplay initially inspired by absurdist playwright, Eugène Ionesco’s one-act play ‘La Leçon’, 1951. Set in a Parisian apartment, ‘IL Y AURA (There will be)’ depicts a student arriving in an older professors’ home for an ambiguous, ritualised and increasingly menacing language tutorial.

**Cineville is valid at the door and online on the day of the screening!**


KNOCK, KNOCK

**SCHEDULE**
17:00 doors open
18:30 talk and Q&A
20:00 closing

FOTODOK is proud to announce [Yana Kononova](https://www.yanakononova.com/)'s solo exhibition *Radiations of War*. In Kononova’s terms, war does not end when the noise of explosions fades. It lingers, saturating the land and embedding itself in the silence of devastated landscapes. 

The Radiations of War project traces this persistence through Ukraine—not as a documentary record, but as an encounter with a terrain where disaster continues after impact, turning the land into both witness and archive. When the frontline recedes, the ruins left behind reflect a landscape in transformation, charged with that which has passed through it. **Kononova’s images are evidence of this process, revealing how violence settles into the earth—lingering in the weight of absence.** For the artist, the term ‘radiations’ evokes the composite, polluted nature of how war is experienced. It evokes more than the eye perceives: a hum or a tremor that alters our sense of space, that moves through memory, through the body, beyond the body, across generations. Here, war is neither an event nor a singular catastrophe but a process without end, radiating outward and rippling across the land.

Yana began working on the Radiations of War series in March 2022. She has since stayed and worked in areas formerly occupied by Russian troops, territories affected by active combat or locations that have endured the terror of missile strikes. Employing a medium format camera, Kononova’s work documents war crimes, destroyed civilian infrastructure, the efforts of Ukrainian emergency services, and the bodies of both fallen soldiers and civilian victims.   

The exhibition opening marks the launch of the artist's first photobook, co-published by FOTODOK and [XYZ Books](https://www.artbooks.xyz/). Pairing Kononova’s photographs with poetry by [Joyelle McSweeney](https://www.joyellemcsweeney.com/), both the exhibition and the Radiations of War publication have been developed as part of the Creative Europe initiative Intergalactica: Books for Culture Without Borders.

This is the second collaborative exhibition by [FOTODOK](https://www.fotodok.org/) Utrecht and WORM Rotterdam, after the exhibition with Palestinian Photographer and Photo journalist [Wahaj Bani Moufleh (ALL EYES..., June 2024)](https://worm.org/production/all-eyes-photo-exhibition-wahaj-bani-moufleh-ps-7/). The audience gets a glimpse of the artists' lived experiences. Together we present powerful stories through a lens of humanity, creating a space for conversation. 

OPENING: Radiations of War, by Yana Kononova

St.Elio’s **Salon of Queer Indoctrinations** is a series of performance nights that aim to generate communal, multi-perspective knowledge and awareness by collectively exploring different social concepts, relevant to queer thought. For the third edition of this performance night, the theme is **“Rituals”**.

The night will include **live performances** from different artist’s, who’s work relates to the theme and a **group discussion** between everyone present will follow.

**Artists performing:**
**Yun Lee & Marcelo S. Daza**
Yun Lee is a US born, Hong Kong raised artist and curator mostly working with lecture-performances, sound, digital culture, and workshops. They are concerned with how our technologically filtered ways of seeing and hearing both limit and extend the ways we compose and define what it means to be human. Yun was not allowed to do any martial arts training as a child. As an adult they fell in love with boxing and MMA and have been training for several years.
[@eel.feels](https://www.instagram.com/p/CtY4dmNIbgr/) 

Marcelo S. Daza is a multidisciplinary artist, born in Chile in 1991, currently based in Berlin. He works as a musician and sound/installation artist in Theatre/Performance collectives, dance companies and as a soloist. As an artistic director, Marcelo has created different platforms for emerging artists, presenting works at festivals, theatres, digital platforms and as well as street interventions. He has trained as a boxer for the past 3 years. His practice looks for shared sensorial experiences and to open space for artists who are not considered in Berlin’s networks.
[@_marce__marron_](https://www.instagram.com/_marce_____marron_/)

**Magdalena Petrova **
Magdalena Petrova (Bulgaria), is a multimedia-performance artist, and cultural worker based in Rotterdam. Petrova delves into ritual studies, ethnobotany, magical thinking, world-building, subculture, and post-Soviet youth studies by integrating elements of Bulgarian traditional witchcraft and folklore.
[@magdalenahvpetrova](https://www.instagram.com/magdalenahvpetrova/)

**GROSS&DOOMED** 
GROSS&DOOMED is a collective created by multimedia artist Vladimir Vidanovski (MK) and theatre and performance artist Elio Troullakis (GR). Through their collaborative practice they explore the intersection of their artistic practices as an extension of their personal relationship, to understand and reflect on similarities and differences in experiences and upbring, growing up in closely related, but also frequently different and clashing cultures.
[@gross.and.doomed](https://www.instagram.com/gross.and.doomed/)

**Works Performed:**
*Yun Lee & Marcelo S. Daza* - **Masked Rituals **
In “Masked Rituals” two fighters (Marcelo Daza and Yun Lee) engage in drills and rituals of
protection before facing off in a fight to exhaustion navigating the lines between attraction and repulsion, intimacy and violence. Throughout the fight, the commentary gradually shifts from narration to generated text on capitalist masculinity, eventually melting into a cinematic soundtrack.

*Magdalena Petrova *- **NEKROLOG **
NEKROLOG/НЕКРОЛОГ is a ritual performance that invites the audience into a deeply personal yet universally resonant exploration of grief and healing. This work centers on the multifaceted experience of grieving past selves, framing this process not as an endpoint but as an ongoing journey toward self-reclamation and understanding. NEKROLOG unfolds in a dimension where new intentions and dreams can take root.
This research expands on grief as a tool for healing, not just as an emotional response but as a way to acknowledge, honor, and release the many versions of oneself that have existed —or never had the chance to fully emerge. This grief becomes an act of recognition, a means of reckoning with loss, and a gateway to self-acceptance through the lens of being queer, neurodivergent, and post-Soviet within the Balkans and as diaspora within the Netherlands.

*GROSS&DOOMED* - **Two Birds with One Stone **
Two queer people encounter each other at different cruising locations across three different countries. In the light of the death and resurrection of Jesus, as celebrated in Orthodox Christianity, they draw parallels with their queer experience of self-reinvention, contemplate on the metaphysics of death, and succumb to a mutually aided experience of rebirth. The narrative unfolds in an often chaotic, intuitional style, reflective of the process of development and filming, woven together by a voiceover of philosophical reflections.

We want to make this event as easy to access as possible. If you can’t afford the full price of the ticket, send an email to elio@worm.org to receive a discount code. Limited reduced price tickets available.
[Follow Elio on Instagram here.](https://www.instagram.com/st.elio.s/)

Doors open at **19:30**, event starts at **20:00**.

UBIK Performance Night / Salon of Queer Indoctrinations

Step into the vibrant world of East Africa Conekt, an extraordinary platform devoted to the captivating sounds of East African music. While the East African diaspora flourishes across the globe, our melodic wonders have yet to receive the recognition they truly deserve in the Netherlands and other parts of Europe. But fear not, for winds of change are blowing our way.

Prepare yourselves for an unforgettable experience, as we represent East African to the fullest..

- Tanzania
- Uganda
- Kenya
- Congo
- Burundi
- Rwanda
- Ethiopia
- Eritrea 
- Sudan
- Somalia

KARIBUNI!

EAST AFRICA CONEKT

! We'll start at Dansateliers !  

Performance artists — Nina Wijnmaalen, Nina Iggy & Jos Jacob, and Mylan Hoezen — present a programme of live works that move between states of presence, pressure, and collapse.

*(One dissects intimacy and human connection)
((Another slips into the chaos of making))
(((A third tests the edge of the body)))*

What started as a conversation between 3 solo artists, evolved into an ever-growing gathering of performers: 
* Mylan Hoezen invites Amsterdam based band Prom Vagabonds for a drone-y audio-physical collaboration. Nina Iggy & Jos Jacob will open up their studio practice and let their creatures out. 
* Nina Wijnmaalen will bring a piano and 7 performers. 
* Together they invite programme maker Jente Poiesz to co-create a performance manifest with the audience. 

The programme unfolds across Dansateliers and WORM in Rotterdam, and concludes with the live drafting of a collective manifesto, guided by Jente Poiesz.

**Who is who?**
[Nina Wijnmaalen](https://www.ninawijnmaalen.nl/) is a visual choreographer, creating performances on the crossroads of theater, dance and visual arts.  
[Nina Iggy](https://ninaiggy.nl/) is a performance artist who explores the deepest layers of human existence with a poetic, visual approach. The use of materials in their raw form is something that characterizes her artistic signature. She works with creature-designer and raw-materialist Jos Jacob.
[Mylan Hoezen](https://mylanhoezen.net/) explores the mind-body connection, challenging and transcending physical limitations to deepen awareness and endurance. He will further develop his performance at The Watermill Center in New York. 
[Dansateliers](https://dansateliers.nl/en/) is an independent house for the development of dance and a home for dance artists. 


Decomposing Manifest: Performances

**Jean-Philippe Gross**
At the crossroads of electronic and instrumental music, Jean-Philippe Gross develops a physical relationship with sound, playing with ruptures and acoustic phenomena.
In concert, he collaborates with eRikm, Jean-Luc Guionnet, Axel Doerner, Jérôme Noetinger, Marc Baron, Christine Abdelnour, Clare Cooper (Nevers).
Never locked into any systematism, Jean-Philippe Gross allows himself the extremes to take advantage of a wide field of possibilities and pays particular attention to the timbre, the grain and the quality of the sound, even rough. 
Listen to his amazing soundworld [here.](https://www.youtube.com/watch?v=Co6iMyjKTlU)

**Jan Schellink**
Schellink, de man zonder concessies maar met een liefde voor impulsieve muziek en je in het zweet werken. Muziek maken op alleen het gehoor (in duo’s of trio’s) zonder afspraken waar het publiek niet bij in slaap valt is zijn passie. Nou ….. een afspraak dan …. en dat is wanneer per improvisatie zich het einde aandient er meteen gehoor aan geven.
Jan Schellink is 68 jaar jong maar heeft nog steeds de energie van een twintiger. Lees [hier](http://firmabeweegreden.nl/) wat hij zoal in zijn drukke artistieke leven heeft uitgespookt!

**Hugo Costa & Vasco Trilla**
- Hugo Costa: sax
- Vasco Trilla: drums/percussion
Hugo Costa and Vasco Trilla approach free improvisation with an emphasis on spontaneity and focused deep-listening. Their musical vocabulary embraces the unexpected: exploring textural, rhythmic sound fields with developmental arcs patiently unfolding...
Hugo Costa is a Portuguese saxophonist based in Rotterdam, working in the field between free improvisation and avant-garde music, exploring melodic abstraction and harmonic tonal shifting using textural material with a wide range of extended techniques, he plays in projects ranging from modern jazz to free jazz, jazzcore or free improvisation. He has toured extensively in Europe and performed in Japan.
[Hugo Costa on Bandcamp](http://https://hugocosta.bandcamp.com/)

Vasco Trilla is one of the most active, versatile and creative drummers of the Barcelona scene. He has recorded more than 100 albums ranging from free improvisation, jazz rock to progressive rock metal and ambient music, on well-known labels such as Clean Feed Records, Cuneiform Records and FMR. The key attributes of his success seem to consist of the three factors: imagination, cross-genre experience in performing music and the constant search for expanding the limits of the instrument.
[Vasco's website](http://vascotrilla.com)

Electric Umbrella #26 with Hugo Costa & Vasco Trilla, Jan Schellink, Jean-Philippe Gross

WORM’s architect Peeren geeft een tour door het WORM gebouw, waarin hij alle, soms absurde in’s en out’s met U doorneemt, maar ook de ideeën achter het bouwen en ontwerpen, het gebruik van tweedehands materialen, met achtergrond en anekdotes over brandweer, luchtverversing, verplaatsbare muren, foto-instituut rails, vliegtuigonderdelen en andere zaken.

Duur tour; Na een inleiding met beelden van 20 minuten een tour door het gebouw van 30 minuten. Pas Op! Er is van alles aan de gang in WORM, dus soms opletten en plaats maken.

Verzamelplek; bij de hoofdingang. Wees op tijd (1500u) want we beginnen stipt (of tamelijk stipt).

Césare Peeren (1968) is architect. In 2012 richtte hij samen met Jan Jongert het architectenbureau Superuse Studios op. Het bureau maakt ontwerpen van gebouwen en gebruiksvoorwerpen van restmateriaal. Ook adviseren zij gemeentes en bedrijven over hergebruik van afval. In Nederland worden jaarlijks 200 windmolenwieken naar de stort gebracht om te worden verbrand. Wieken zijn gemaakt van een kunststof composiet dat niet te recyclen is. Superuse Studios ontwerpt van deze structurele afvalstroom stadsmeubilair onder de naam Blade Made. Tot nu toe leidde dit tot een zitobject, twee speeltuinen, waarvan een in Rotterdam, een bushalte en een voetgangersbrug. De betonblokken waar de wieken aan vast zitten, bestaan voor 70 % uit hergebruikt betongranulaat uit Rotterdamse sloopprojecten. Césare was een van de grondleggers van het idee dat WORM een module is, die op verschillende plekken kan functioneren, dus niet persee afhankelijk is van 1 bepaald gebouw. Verder heeft hij op de Achterhaven, de vorige WORM-locatie en ook op de huidige locatie grotendeels het ontwerp voor zijn rekening genomen waarbij het idee van Superuse verbonden werd met een speels en bijzonder gevoel voor design.

🎨 Cultural

Rondleiding Cesare Peeren, de WORM Architect

Adam

Maggie

Christie

Eric

Anna

Standard

guestList

WORM is de ultieme testomgeving voor alternatieve kunstproductie, experimentele levensvormen en niet- academische kennisontwikkeling. Wij zijn een netwerkorganisatie op het snijvlak van (populaire) cultuur en (podium) kunsten, gevoed door de interesse in de inspirerende, mooie, urgente, vitale, rauwe, weerbarstige en/of maffe shit waar onze medemens mee op de proppen komt. We zien de chaos die hiermee gepaard gaat niet als een probleem, maar we gebruiken het als energie voor actie.

--
(Text and Image)
https://worm.org/about/